{"title":"Collectors","description":"","products":[{"product_id":"grauzonen-nurnberger-kunstler-innen-im-nationalsozialismus","title":"Grauzonen. Nürnberger Künstler:innen im Nationalsozialismus","description":"\u003cp dir=\"ltr\"\u003eThe declared goal of National Socialist art policy was the creation of a \"German\" art. To this end, modern art was removed from collections as \"degenerate\" and art that conformed to the system was presented annually in the \"Great German Art Exhibitions\" in Munich from 1937.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\"Grey Zones. Nuremberg Artists under National Socialism\" explores how Nazi art policy affected the regional art scene. For this purpose, the collection holdings of the Kunstvilla dating from the National Socialist era were examined for the first time, and the acquisition and commissioning policy of the City of Nuremberg was reappraised.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eArtistic creation at the regional level appears far more complex than the division into system-compliant and \"degenerate\" art would suggest. In many cases, moral, political and artistic \"grey zones\" emerge.\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58281138782592,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_Grauzonen_Nuernberger_cover.webp?v=1789064918"},{"product_id":"warwick-collection","title":"Warwick Collection","description":"\u003cp\u003eFounded in 2017, the Warwick Collection is a young and growing collection of contemporary art with a focus on relevant German and next generation artists. The collection explores themes related to abstraction, conceptualism and aesthetics comprised of works on canvas, performance, photography and sculpture.\u003c\/p\u003e\n\u003cp\u003eThis first comprehensive catalogue serves the ambition of creating an enduring collection that tells the narrative of current and future generations of artists.\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58315226546560,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_Warwick-Collection_COVER.webp?v=1787922107"},{"product_id":"transformationen-werke-aus-der-sammlung-der-mobiliar-genossenschaft","title":"Transformationen – Werke aus der Sammlung der Mobiliar Genossenschaft","description":"\u003cp dir=\"ltr\"\u003eSustainability, ecology, digitalization, globalization and social change: these are the themes focussed on by the exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTransformations\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eat the Museum Franz Gertsch in Burgdorf. More than 275 works created by over one hundred artists and coming from the collection of the Schweizerische Mobiliar Genossenschaft provide an exemplary demonstration of how art can accompany our individual and social capacity for transformation.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe thesis of the exhibition is that we can enhance our capacity for transformation through art.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTransformations\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ereflects the conviction that involvement with art is meaningful on various levels. Works of art offer us food for thought. They stimulate us to develop new ideas and fresh perspectives. Works of art support us in approaching themes of transformation with alertness, curiosity and courage - in both a personal and a professional environment. With vivid images and rich variation,\u003cem\u003eTransformations\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eseeks to show a wide audience how that in fact works.\u003c\/p\u003e\n\u003cp\u003eThe exhibition catalogue for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTransformations\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003econtains more than 300 illustrations, approximately 120 short texts by well-known authors, a foreword by Michèle Rodoni, and two background essays by David Bosshart and Dorothea Strauss.\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58315593744768,"sku":null,"price":43.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_Transformationen_Mobiliargenossenschaft_COVER.webp?v=1789066404"},{"product_id":"the-vujicic-collection-to-live-a-quiet-life","title":"The Vujičić Collection - To Live a Quiet Life","description":"\u003cp dir=\"ltr\"\u003eThe Vujičić Collection represents a continuous process of discovering visual art practices in Croatia and other countries in the region from the 1950s to the present with the aim of establishing a permanent dialogue between artists, curators, institutions, and private collectors.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis book, To Live a Quiet Life, can be understood, then, as a discussion about an art collection (based in Zagreb) that, to a large degree, focuses on works, practices, and movements originating in Croatia and other countries of the former Yugoslavia in the period after the Second World War. But more than this, it must also be understood as an individual’s personal yet remarkably precise view on the evolution of artistic ideas that, in the international arena, have long created a space for critical reflection on art, society, and everyday life.\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58368997392768,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_THE_Vujicic_Collection_COVER.Vebp.webp?v=1787742910"},{"product_id":"die-2000er-jahre-bye-bye-zuversicht","title":"Die 2000er Jahre. Bye Bye Zuversicht","description":"\u003cp\u003eThe feeling of a new beginning after happily overcoming the millennium jump was abruptly ended with 9\/11. Topics such as the ongoing turbo-capitalism, migration, the questioning of the cult of monuments, and the convergence of aesthetics and economy accompanied by a hypocritical handling of urgent environmental issues by western industrialized nations in the information age were decisive for artists. Both alienated nature and the observation of one's own body and the burgeoning selfie cult through the new smartphones steered questions of perception. In addition to the criticism of the consumer age, postcolonial and gender issues, the still sluggish processing of National Socialism in Austria (even after the Restitution Act of 1995) was another factor that, instead of confidence, caused rather ironic to cynical breaks - especially in the case of \"Golden Adele\" by Klimt.\u003c\/p\u003e\n\u003cp\u003eIn addition to in-depth essays, the publication offers a generously illustrated insight into the more than 5,000 works in the City of Vienna's collections from the 2000s.\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58434638938496,"sku":null,"price":44.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_Die_2000er_Cover.webp?v=1787837040"},{"product_id":"herwig-zens-keine-zeit-no-time","title":"Herwig Zens - Keine Zeit No Time","description":"\u003cp\u003e\u003cspan\u003eThe impressive biography of the artist Herwig Zens, who was born in Himberg near Vienna, bears witness to his formative influence on the Austrian cultural landscape. In parallel with his career as a professor of art education at the Academy of Fine Arts Vienna, he produced an extensive oeuvre that earned him international acclaim. In his work, Zens most notably tested the technical limits of printmaking. He succeeded, for example, in printing his etched diary on a 40-meter-long roll of paper. Thanks to the generous donations of Gerda Zens and Johannes Scheer, the State Collections of Lower Austria hold not only, since 2020, several versions of the etched diary, but also Zens’s complete printed oeuvre and an extensive archive covering the work of the artist, who died in 2019. To mark his anniversary year in 2023–Herwig Zens would have been 80–the State Collections of Lower Austria are honoring the artist with this collection catalog, which is devoted to subjects that Zens pursued throughout his life: death, the dance of death, Francisco de Goya, and the etched diary.\u003c\/span\u003e\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58434646475136,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_Herwig_Zens_cover.webp?v=1788797961"},{"product_id":"unknown-familiars-die-sammlungen-der-vienna-insurance-group-the-collections-of-vienna-insurance-group","title":"Unknown Familiars - Die Sammlungen der Vienna Insurance Group \/ The Collections of Vienna Insurance Group","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eUnknown Familiars\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ebrings the unknown to the table. With the works presented in the Leopold Museum, a total of six collections with different focuses and trajectories of development come together for the first time. All of the works on display come from the collections of companies belonging to the Vienna Insurance Group and Wiener Städtische Versicherungsverein, whose 200th anniversary brings them together as part of a family.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe exhibition presents over 200 works of various genres from different periods. Young contemporary art meets the Modernism of the interwar period, the avant-garde of the 1970s meets important positions of the Austrian present. Starting from the collection of the Czech insurance company Kooperativa, which is represented with a selection of works from the period 1900–1950, a web of thematic and stylistic references is woven that continues in the dialogue with the other works. The Austrian collections of Wiener Städtische, Wiener Städtische Versicherungsverein and Donau Versicherung, together with that of BTA Baltic, cover a broad spectrum from classical Modernism to current contemporary practices. The collection of the Serbian Wiener Städtische osiguranje, on the other hand, primarily looks back to the events of the Yugoslavian avant-garde in the second half of the 20th century. And even if only certain works in the exhibition can be categorised as historical Surrealism in the narrowest sense, the surreal can be found in numerous objects in the show, regardless of when they were created.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eUnknown Familiars\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eremoves some of the cornerstones with which we have become familiar when viewing art in favour of an encounter with the new. The familiar – the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003efamilial\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e– shifts towards an unfamiliar perspective.\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58536149287296,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_Unknown_Familiars_COVER.webp?v=1787744920"},{"product_id":"die-wiedergefundenen-garten-schriftenreihe-der-kunstvilla-band-17","title":"Die wiedergefundenen Gärten - Schriftenreihe der Kunstvilla, Band 17","description":"\u003cp\u003eIn the creative output of Verena Waffek (*1953 Ehingen) and Hubertus Hess (*1953 Coburg), human imagination and the cultural transformation of both natural and artificial artifacts play a crucial role. Whereas Waffek prefers to enter into fictional situations that she elaborates during a working process into space-encompassing installations, Hess turns found pieces into complex objects.\u003c\/p\u003e\n\u003cp\u003eThe tile of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Rediscovered Gardens\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003erefers to the garden of the art-villa which, as the residence of the prosperous Jewish hop-dealing and banking family Hopf, was once surrounded by a park. Due to a lack of archival material and because of postwar building activity, it is no longer possible to reconstruct the garden. It is a lost garden. It is into this empty space that Verena Waffek and Hubertus Hess insert a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ejardin artificiel,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea both artificial and artistic garden. Hubertus Hess designs richly associative assemblages against the zeitgeist. Verena Waffek conceives of a planning studio for cactuses, moss and lichen. The remembrance of what has been lost is combined with visions of how gardens could look in the future.\u003c\/p\u003e\n\u003cp\u003eThe companion volume presents the two artists through texts by Wolfgang Brauneis and Harald Raab, Andrea Dippel and Marian Wild. In addition, it offers extensive series of pictures documenting the site-specific installations that arose in the art-villa.\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58741716910464,"sku":null,"price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_Waffek-Hess_Die-wiedergefundenen-Gaerten_COVER.webp?v=1789065901"},{"product_id":"jacqueline-mesmaeker-secret-outlines","title":"Jacqueline Mesmaeker - Secret Outlines","description":"\u003cp\u003e\u003cstrong\u003eFirst Retrospective of Jacqueline Mesmaeker’s Work Outside Belgium\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe book accompanies the solo exhibition, conceived by the Generali Foundation Collection – on permanent loan to the Museum der Moderne Salzburg – which is the first retrospective of the artist’s work outside Belgium. The foundations of the exhibition were established in collaboration with the artist before her passing in late 2023. The exhibition presents key works by Jacqueline Mesmaeker from all areas of her artistic practice.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary work of Belgian artist Jacqueline Mesmaeker (1929–2023, Brussels, BE) combines poetic sensitivity with conceptual thinking. She began her career in the fields of fashion, design, and architecture. From the 1970s onwards, she developed the works for which she is known today, realizing them across various media. Her œuvre includes sculptures and sculptural interventions as well as painting and drawing, photography, film and video, and language and text. A fundamental aspect of her work is a delicate awareness of the existential processes of remembering and forgetting, as well as the psychological, political, and aesthetic significance of the subtle and the hidden.\u003c\/p\u003e\n\u003cp\u003eMesmaeker experimented with different levels of space, time, and imagery, as well as with signs and symbolic languages, creating new and unexpected interconnections. Her works frequently reference selected literary sources and engage with political and historical contexts.\u003c\/p\u003e\n\u003cp\u003eMesmaeker taught for many years at renowned Belgian art universities. However, for a long time, she remained overshadowed by her male artist colleagues, not least due to her reservations about the art market. In recent years, her work- pursued consistently over five decades - has received extraordinary recognition. Today, Mesmaeker is considered a key figure in the Belgian art scene, alongside Marcel Broodthaers and Joëlle Tuerlinckx.\u003c\/p\u003e","brand":"VFMK Boutique","offers":[{"title":"Default Title","offer_id":58758388220288,"sku":null,"price":39.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0975\/2726\/7712\/files\/VFMK_Jaqueline_Mesmaeker_cover.webp?v=1788799815"}],"url":"https:\/\/www.vfmk.org\/collections\/collectors.oembed","provider":"VFMK Boutique","version":"1.0","type":"link"}